Dhamak Marathi Movie Review: Dhamak, an action packed movie directed by Rajendra Bandivadekar and produced by Suvarna Bandivadekar under the banner of C.S. Films. The Star cast of this high budget Marathi movie are Aniket Vishwasrao, Girija Joshi and Sunil Shinde, while actors like Mohan Joshi, Uma Sardeshmukh, Vidyadhar Joshi, Viju Khote, Jayawant Vadkar, Ajay Padhye, Dhananjay Mandrekar, Mousami Thondvalkar and Girish Salvi played other key roles. The story, screenplay as well as the dialogues for the film are penned by the director himself. Let's look over the movie's story and review.
The plot of the Dhamak movie mainly moves around the fight of good against evil. The main cast Aniket Vishwasrao, a great fighter, who fights for public rights, duties, behaviour and illegal things in the society where political pressure and domination of some people bring odds in the society. The people ruling the society has money, power and live the way they want, but their injustice and supremacy affect the well-being of common people. Also, in a side a love story run in the movie.
According to the movie review, the flick adds a different chapter to the Marathi film industry with dhamak. The complete entertainer flick has action, drama, love and romance in abundance, which scored positive comments. Also, Nirmal Kumar has composed the music for the film which sooths with the different sequels.
Cast has done full justice with the roles allotted to them in Dhamak. The script was written and represented on the screen while keeping the pulse of audience in mind. The appealing content of the 135 minutes long film led it to rock the floor of box office and created huge buzz, as per the reviews.
The item number of Meghna Naidu or the lavni number of Mumait Khan is impressive and gained good reviews. Impressive chemistry of Aniket Vishwasrao teamed opposite the ravishing Girija a Joshi is loved by the audience and new villain Sunil Shinde proved his acting debut by the Dhamak. The presence of all these elements able to hook the interest of audience until the last frame.
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